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With, once again,
his tie to the big classicism and
innovation, he finds by there new colors,
new tones, new rhythms which highlight,
but otherwise, the great repertory of the
violin. He positions his game among the
baroque musicians and the "senza
vibrato", the "vibrato"
and the "glissandi" of
the great masters of the romantic violin.
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Contemporary music
is for him a source of inspiration in the
work of the color, the tone, the rhythms,
but also in the infinite possibilities of
expressiveness of the violin. A certain
contemporary music is also close to his
love of the total dissonance and the
expression of the human and present
violence.
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